Alternate changes for playing over a II-V-I

Alternate Changes For Playing Over A  II-V-I  in C Major:

D-7    G7   Cmaj7

Fmaj7#11
Abmaj7#11
Cmaj7#11

Fmaj#11/13

BM7#11/13(watch the F#)

CM7#11/13

FMaj#11/13 (Or A-7)
F-9/11/13
E-11/13

CMaj9  (7,9,11,6,R)
BMaj7b13 (no 5)
GMaj9/#11/13

Cmaj7 (7, 9, 11, 6)
Bo7 (3, 5, 7, 9)
A-6 (13, R, 3, #11)

Faug7 (3, 5, #7) -M sound
Faug7 (7, 9, #11)
Caug7 (R,3,#5) M7#5

Diatonic Dim.
Bo7 (6, R, 3, 5)          D-7
Bo7 (3, 5, 7, 9)           G7
B-7 (7, 9, #11, 13/6) CM7

“Out” Dim.
Op.1.  Go7(R, #9, #11, 13)
Op.2 Bbo7 (#9, #11, 13, R)
Op.3 Dbo7(#11, 13, R, #9)
Op.4 Eo7(13, R, #9, #11)

Op.5 Abo7 (b9, 3, 5, 7)
Op.6 Bo7 (3, 5, 7, b9)
Op.7 Do7 (5, 7, b9, 3)
Op.8 Fo7 (7, b9, 3, 5)


A-7 (5, 7, 9, 11)
Ab-M9 (b9, 3, b13, R, #9)
GM9 (5,7,9,#11,13)

A-7 (5,7,9,11)
Bb-7 (#9,#11,7,b9)
B-7 (7,9,#11,13/6)

CM7 (7,9,11,6)
C#7 (#11,13,b9,3)
D7    (9,#11,13/6,R)

E-7      (7,9,6,R)
F-7      (7,b9,11,b13)
GM7    (5,7,9,#11)

G7            (11,6,R,3)
Ab-M9   (b9,3,b13,R,#9)
A-6         (6,R,3,#11)

————————————————————
Pentatonics:

“In”   options:

D-7:
D minor penta/blues


2nd mode of c maj pent.


5th mode of the g maj pent.
(D-6 sound w/b natural)

—————————————————–
G7:
G maj pent
2nd mode of f maj pent. (Sus4 sound) w/7
5th mode of c maj pent. (Sus4 sound) w/13

—————————————————–
Cmaj7:
C maj pent.
B min pent./D maj pent. (9, #11, 13)

—————————————————–
“Out” options:

D-7:  Planing or Min/Maj Sounds

G7: Planing or Altered Sounds

Db min pent. (#11, 13, #7, b9, 3)ps. tone 7
C min pent. = (11, #5, 7, R, #9) +#9 <—–
Bb min pent. = (#9, #11, #5, 7, b9) alt. <—
Ab min pent. = (b9, 3, #11, 13, #7) ps.tone7
G min pent. = (#9, 11, 5, 7) #9sus4 <—–
F# min pent. = (#7, 9, 3, #11, 13) ps. tone 7
F min pent. = (7, b9, #9, 11, #5) alt./sus <–

Cmaj7: Planing or Maj7+ Sounds

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